Showing posts with label journey. Show all posts
Showing posts with label journey. Show all posts

Monday, July 3, 2017

Adult Review: Days Until Home

Based on a promotional eBook received from NetGalley in exchange for an honest review.


Days Until Home
By: Mark Gardner, Greg Dragon, David Kristoph
Release Date: 07/04/2017

Overall Rating: 3/5
Plot: 3/5
Characters: 3/5
Writing: 2/5

Days Until Home is a collaborative novel written by three different authors. It tells the story of the mining ship Kerwood and its crew as they pull a normal mining contract on an asteroid and prepare to go home. A massive explosion cripples the ship and leaves the crew and miners struggling to recover both physically and emotionally from the devastation.

I really wanted to love this book. I was primed for it: hard sci-fi is what I grew up reading. I was excited about the potential of the blurb I read, which is why I requested the ARC from NetGalley in the first place. Unfortunately, this piece remains potential without a backbone. Most of the problems with the book can be traced back to its collaborative nature, unfortunately. I suspect it was way more fun to write than it was to read, speaking from the experience of a collaborative fiction writer (hi, Robin!).

For me, it came down to too many cooks in the kitchen. I found it nearly impossible to identify a main character, which given the multiple red herrings and switchbacks that the authors used, was probably intentional. There were so many named characters who had no depth or background beyond their presence in the crew of the Kerwood that I almost needed a chart to keep track of them and who they were sleeping with, affiliated with, and distrusted by. They all had potential depth, but they weren't important enough to the story to get more than a first name, a hair color, and a death scene.

In my notes as I was reading this, I reached the one-third point still filled with hope and excitement. I could see that the writers had the ability to build suspense and drive the plot forward. The sad part was that all that suspense was quickly resolved and drifted off to follow another aspect of the story. Instead of staying closely tied to a few characters, I read from the point of view of so many that I wasn't even sure who I was supposed to be cheering for.

Additionally, from a diversity in sci-fi perspective, I was very disappointed in the society that was built in this story. One of the protagonists, Viktor, is frequently cited as being Russian, with a thick Balkan accent, but this seems to be only an affectation. His perspective is the same as all the other characters, with nothing in it to make him uniquely Russian. For that matter, why is Earth still using the same country designations this far into the future, when it seems that country lines have been put aside in favor of planetary or settlement affiliations?

While I applaud the inclusion of women in space, especially those who apparently have a lesbian or bisexual orientation, most of the women seem to be either crazy, sexually attractive, or sexually neutral but loyal. Dialog between female characters was woefully under-researched; they talked to each other like heroines from a romance novel, all figurative imagery and earnest fluff. For that matter, one of the red herrings (spoilers) centers on the idea that women can't stand the conditions in space and so they build an illicit shower in one of the holding tanks and sold shower time to the other female crew members.

In conclusion, if this had been written by only one or two of the authors, it might have been a decent hard sci-fi novel. As it stands, I found it a meandering and underdeveloped read.

**EDIT** Shortly after posting this review, one of the authors contacted me and I learned that it was originally written as a serial story at Article 94.This put much of the writing style in context for me. While most of my criticism still stands, the pacing issues make more sense now if it was written chapter-by-chapter instead of as a novel.

Monday, May 1, 2017

Adult Review: Saga vol 4



Saga, volume 4
by Brian K. Vaughan

Overall Rating: 4.5/5
Plot: 4/5
Characters: 5/5
Writing: 4/5
Artwork: 5/5

The next installment of the comic collection which follows the lives of a pair of renegade lovers from opposite sides of a planetary civil war. Easily on par with the rest of the series and I've been rabidly checking our catalog for it since I heard it had been released.

I adore this series. Definitely not for children and even parents of young adults should be wary due to language and the sexual nature of some of the imagery. But the story of these vital characters fascinates me and I want to know where they're going. I want to know how their daughter grows up and what will happen next. I'm breathless with anticipation at every turn of the page and the artwork is absolutely stunning. The characters are complex and powerful on many levels. And I totally want a Lying Cat of my own.

Monday, April 3, 2017

Adult Review: Omari and the People

Based on a promotional eBook received from NetGalley in exchange for a review.



Omari and the People
Written by Stephen Whitfield

Overall Rating: 3/5
Plot: 4
Characters: 3
Writing: 2

Omari and the People is a sweeping, epic quest story of a thief so successful that he becomes bored with his life. In a whirlwind decision, he burns his city to the ground, stranding thousands of people of varying classes without homes in the desert. With the backing of an elderly drifter who appears to have semi-magical powers, he becomes the leader of the city's middle and lower classes and takes them on a journey through the desert to seek a new home.

I felt like I was missing something profound in this story. It has excellent reviews on GoodReads and it feels to me that I was reading an entirely different book from those other reviewers. I wonder if there is a cultural framework that I'm missing. While the story is compelling, the characters interesting and the world immersive, the writing does not appeal to me. It has a storytelling quality which works for short stories or children's books, but doesn't seem to work for longer fiction. In particular, the narrator frequently explains the feelings of a character and then the character speaks about those feelings, giving a sense of redundancy to the exposition. Also, there are several places where the author says via narration that a character has a feeling, in spite of something that will happen later but hasn't happened yet. It works for face-to-face storytelling especially in groups where the story is a well-known folk tale or part of local mythology, but falls flat in new text.

I enjoyed the relationships between Omari and the various women in his life, as well as the development of trust among the men. Unfortunately, I don't find the characters to be well-developed. While Omari has a personal emotional journey, the rest of the cast of characters are only cardboard cut-outs in support of that journey. This greatly reduces the importance of the women, who had potential to be strong, vibrant female figures and are instead reduced to the love interest, the witch, and the lost mother-figure.

While the material is decent, I suspect it was not written for me. This distance from the target audience made the story hard for me to relate to and in the end, I didn't enjoy it very much. I wanted to know more about the world and the culture, but feel that the author expected me to already have that information instead of providing it in an accessible way.